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Kalyan thaat · intermediate

Kedar

केदार

Kedar uses both shuddha and tivra Madhyam and is distinguished by its characteristic vakra phrase 'S M, M P'. Its zig-zag, slightly mysterious gait lends it a devotional colour traditionally linked to Shiva, and it is a favoured raga for the early hours of night.

Samay
Morning
First prahar of night (9pm–12am)
Rasa
Shanta, Shringara, Karuna
Vadi · Samvadi
M · S
Pakad
S M, M P, D P M, P D P M, S R S
S
r
R
g
G
M
M'
P
d
D
n
N

I Ascent & descent

Aroha (ascending)
SMMPDPNS'
Avaroha (descending)
S'NDPMPDPMGMRS

II In performance

Famous compositions
  • Kanha Rangeele
    Traditional · Bada Khayal, Jhoomra
  • Hari Ke Charan Kamal
    Traditional · Chhota Khayal, Teentaal
  • Paayaliya Jhankaar
    Traditional · Chhota Khayal, Teentaal
Listen to the masters
Pt. Bhimsen JoshiUstad Amir KhanUstad Vilayat KhanPt. Jasraj