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Kalyan thaat · intermediate

Shuddh Kalyan

शुद्ध कल्याण

Shuddh Kalyan uses only shuddha swaras in aroha (a pentatonic Bhupali-like rise) but admits tivra Madhyam and shuddha Nishad in avaroha, combining Bhupali's ascent with Yaman's descent. The result is a bright, stately raga that straddles the Kalyan family's brighter and graver aspects.

Samay
Evening
First prahar of night (6pm-9pm)
Rasa
Shringara, Bhakti
Vadi · Samvadi
G · D
Pakad
G R S, .N .D S, S R G P, G P D P G R S
S
r
R
g
G
M
M'
P
d
D
n
N

I Ascent & descent

Aroha (ascending)
SRGPDS'
Avaroha (descending)
S'NDPM'GRS

II In performance

Famous compositions

Compositions not yet catalogued for this raga.

Listen to the masters
Pt. Bhimsen JoshiUstad Amir KhanKishori AmonkarPt. Nikhil Banerjee