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Kalyan thaat · intermediate

Shuddh Sarang

शुद्ध सारंग

Shuddh Sarang belongs to the Sarang family but admits tivra Madhyam (making it a Kalyan-leaning Sarang). The characteristic oscillation 'N S' R, M' R' marks the raga, and its midday performance slot sits it alongside Brindabani and Madhyamad Sarang in the noon repertoire.

Samay
Afternoon
Midday (12pm-3pm)
Rasa
Shringara, Shanta
Vadi · Samvadi
R · P
Pakad
N S' R, M' R, .N .D .P, M' P N S'
S
r
R
g
G
M
M'
P
d
D
n
N

I Ascent & descent

Aroha (ascending)
SRM'PNS'
Avaroha (descending)
S'NDPM'RS

II In performance

Famous compositions

Compositions not yet catalogued for this raga.

Listen to the masters
Pt. Bhimsen JoshiPt. Mallikarjun MansurUstad Rashid Khan