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Todi thaat · advanced

Todi

तोड़ी

Miyan ki Todi, the namesake raga of the Todi thaat, combines komal Rishabh, Gandhar and Dhaivat with tivra Madhyam. The resulting intervallic tension gives it an intensely plaintive, almost beseeching character, and it is regarded as a severe test of intonation and vistaar craft.

Samay
Morning
Second prahar of day (9am–12pm)
Rasa
Karuna, Bhakti, Vairagya
Vadi · Samvadi
d · g
Pakad
d N S', r g r S, M' g, r g r S
S
r
R
g
G
M
M'
P
d
D
n
N

I Ascent & descent

Aroha (ascending)
SrgM'PdNS'
Avaroha (descending)
S'NdPM'grS

II In performance

Famous compositions
  • Langar Kankariya
    Sadarang · Bada Khayal, Vilambit Ektaal
  • Ab Mori Naiya Paar Karo
    Traditional · Chhota Khayal, Teentaal
  • Garva Na Kariye
    Traditional · Bada Khayal, Jhoomra
Listen to the masters
Ustad Amir KhanKishori AmonkarUstad Nisar Hussain KhanPt. Mallikarjun Mansur